About Miss Anne

Photo: Nathalie Bélanger

"With her unique style, Miss Anne performs a witty blend of original music and (slightly risqué) vintage songs in English and German, accompanying herself on guitar. "

"Miss Anne hearkens back to a time when dirty could still be charming. ..and you weren't fully dressed without a hat!"

"Miss Anne May look very pure and innocent but she is very naughty! That surprise is delightful. Musical & lyrical styles ranging from whimsical to punk, to tongue in cheek, to campy and much more!" 

"Miss Anne has a delightful quirkyness, a clear voice and a naughty sparkle in the eye that charms the audience instantly"

Miss Anne comes to life

After the fantastic host Miss Heidi at South Park Abbey, San Diego,
called me Miss Anne I decided to perform under this pseudonym.
My program displays a variety of hand-picked songs of the 40ies-70ies
of the last century, mixed with originals.
Some of the hilarious songs gained fame by Ruth Wallis, Gilda Radner
and Madeline Kahn.

Here, Miss Anne at the Tin Roof:

And here at Rebeccas:

HALLO! ´s first Album

HALLO! finished its album! I uploaded some of the songs here:

Nicolas Pannetier (France) and Anne Grabow (Germany) met in 2012, when they were coming of age and started to write sincere songs about love, food and death. With two voices and two guitars Hallo! oscillate between irony and sobriety. Paraphrasing 60 years of rock history they recite king-sized pop-songs which follow german cabaret songs of the 20ies. Dressed as futuristic harlequins the two talk about libertarian metropolitans and their fears of commitment, disastrous passions, unfulfillable desires and fidelity. Singing angelic melodies with filthy lyrics and awkward costumes Hallo! love the grotesque. 

HALLO! in 2013

Hallo! published two videos. Here you can see "Roses in the park", filmed by René Arnold, edited by me:

Sebastian Becher recorded two HALLO! - songs in his studio.
Students of MHMK recorded and edited this video for us:

The Berlin senate pleased us with a 10-days-of-studio-grant! So we toured France to prepare us for our studio recordings.

Tuesday, december 17/2013 we were guests at the radiostation Szenesound / Radio Alex. 

Here´s the link to our interview: 

"Das Gefühl" - in Biesenthal

Nathan Moore und Anne Grabow, a.k.a. "Das Gefühl," auf dem Festival "Am Ende der Wald" in Biesenthal am 5.August 2011

2007 Künstlerin aus Paris

Konzert im Monster Ronson, Warschauer Brücke, Friedrichshain

Poster für den Ackerkeller, Bergstrasse, Mitte

Auftritt im Ä, Weserstrasse, Neukölln

April 2007, Steffanie Kraatz and me founded "Künstlerin aus Paris", a song-performance duo, consisting of a guitar, an accordeon, humour and two voices. We interpretate old berlin songs from the begin of the last century, especially Claire Waldoff, and round up the show with some ocean romantism by, for example Hans Albers.
Künstlerin aus Paris besteht seit 2007 und hat folgende Bandmitglieder: Steffanie Kraatz, Gesang, und mich, Gesang, Gitarre, und Akkordeon. www.myspace.com/kuenstlerinausparis

2002, Ted Minsky, Madame le Ted

2002, publication of the Cd "Madame le Ted" under the pseudonym Ted Minsky by the Austrian Label "Angelika Köhlermann".
Here you can by it!

Review by Elizabeth Wells:
Epic, avant-garde, flamboyant. all these epithets and more describe the extraordinary journey ted minsky offers the listener on this debut album. and it is no wonder, as ted minksy is a young costume designer with an eye for the (new) romantic, and as the press release suggests, these songs sound as though they have been fashioned from velvet with an eye for the next david lynch soundtrack. miss minsky (real name unspecified - i have a suspicion it is the alter-ego of mr minsky himself) is the multi-talented vocalist on these songs; multi-talented because she sings in english, german and spanish (though her lyrics sound obscure in all three!) she launches straight into a spine-chilling goosebump of a track, with piercing distorted vocals punctuated by swirling psychedelic effects (and barking dogs a la the orb) and thus sets the tone for the album, which is by turns spooky, dissonant and art house in its approach to composition. in other works it makes for uneasy listening, having less in common with pop than a distorted digital take on german music hall and vaudeville. 'touch no new' offsets its big band drums with haunting shimmering signal processing, and thus manages to unite the sound of the 30s and 40s with the 21st century. elsewhere harpsichords give an elegantly baroque sound ('rosy wrong cards'), then just when you think you've worked out where ted minsky's going with this, he gets all shakespeare's sister on us, with the dark clash of rock guitars on the gothic 'in mir' or the neo-electro rock of 'c'est fatal'. certainly this album is bursting with ideas, and he manages to bring off the clash of styles with customary flair. i look forward to hearing more from this enigmatic madame who sounds as if she was born to drape red velvet around a dirty rock stage with a cigarette (in holder, naturellement) in one hand and a sweaty mic in the other. (www. absorb.org, 2002)